spring

Spring overall.

But inside us there is another unity.

Behind each eye here,

one glowing weather.

Every forest branch moves differently in the breeze,

but as they sway, they connect at the roots.

Rumi

tr. Coleman Barks

Photo:  Peter Bowers

now here

They are to be admired those survivors
of solitude who have gone with no maps
into the room without features,
where no wilderness awaits a footstep trace,
no path of danger to a cold summit
to look back on and feel exuberant,
no clarity of territories yet untouched
that tremble near the human breath,
no thickets of undergrowth with deep pores
to nest the litanies of wind addicted birds,
no friendship of other explorers
drawn into the dream of the unknown.


No. They do not belong to the outside worship
of the earth, but risk themselves in the interior
space where the senses have nothing to celebrate,
where the air intensifies the intrusion of the human
and a poultice of silence pulls every sound
out of circulation down into the ground,
where in the panic of being each breath unravels
an ever deeper strand in the web of weaving mind,
shawls of thought fall off, empty and lost,
where only the red scream of the blood continues unheard
without anonymous skin, and the end of all exploring
is the relentless arrival at an ever novel nowhere.





John O'Donohue
Echoes of Memory
Photo: Peter Bowers

home

For me, trees have always been the most penetrating preachers. I revere them when they live in tribes and families, in forests and groves. And even more I revere them when they stand alone. They are like lonely persons. Not like hermits who have stolen away out of some weakness, but like great, solitary men, like Beethoven and Nietzsche. In their highest boughs the world rustles, their roots rest in infinity; but they do not lose themselves there, they struggle with all the force of their lives for one thing only: to fulfill themselves according to their own laws, to build up their own form, to represent themselves. Nothing is holier, nothing is more exemplary than a beautiful, strong tree. When a tree is cut down and reveals its naked death-wound to the sun, one can read its whole history in the luminous, inscribed disk of its trunk: in the rings of its years, its scars, all the struggle, all the suffering, all the sickness, all the happiness and prosperity stand truly written, the narrow years and the luxurious years, the attacks withstood, the storms endured. And every young farmboy knows that the hardest and noblest wood has the narrowest rings, that high on the mountains and in continuing danger the most indestructible, the strongest, the ideal trees grow.

Trees are sanctuaries. Whoever knows how to speak to them, whoever knows how to listen to them, can learn the truth. They do not preach learning and precepts, they preach, undeterred by particulars, the ancient law of life.

A tree says: A kernel is hidden in me, a spark, a thought, I am life from eternal life. The attempt and the risk that the eternal mother took with me is unique, unique the form and veins of my skin, unique the smallest play of leaves in my branches and the smallest scar on my bark. I was made to form and reveal the eternal in my smallest special detail.

A tree says: My strength is trust. I know nothing about my fathers, I know nothing about the thousand children that every year spring out of me. I live out the secret of my seed to the very end, and I care for nothing else. I trust that God is in me. I trust that my labor is holy. Out of this trust I live.

When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. . . . Home is neither here nor there. Home is within you, or home is nowhere at all.

A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one’s suffering, though it may seem to be so. It is a longing for home, for a memory of the mother, for new metaphors for life. It leads home. Every path leads homeward, every step is birth, every step is death, every grave is mother.

So the tree rustles in the evening, when we stand uneasy before our own childish thoughts: Trees have long thoughts, long-breathing and restful, just as they have longer lives than ours. They are wiser than we are, as long as we do not listen to them. But when we have learned how to listen to trees, then the brevity and the quickness and the childlike hastiness of our thoughts achieve an incomparable joy. Whoever has learned how to listen to trees no longer wants to be a tree. He wants to be nothing except what he is. That is home. That is happiness.





Hermann Hesse
Wandering
with thanks: brainpickings
Photo: Peter Bowers

i would like to describe

I would like to describe the simplest emotion

joy or sadness

but not as others do

reaching for shafts of rain or sun

I would like to describe a light

which is being born in me

but I know it does not resemble

any star

for it is not so bright

not so pure

and is uncertain

I would like to describe courage

without dragging behind me a dusty lion

and also anxiety

without shaking a glass full of water

to put it another way

I would give all metaphors

in return for one word

drawn out of my breast like a rib

for one word

contained within the boundaries

of my skin

but apparently this is not possible

and just to say - I love

I run around like mad

picking up handfuls of birds

and my tenderness

which after all is not made of water

asks the water for a face

and anger

different from fire

borrows from it

a loquacious tongue

so is blurred

so is blurred

in me
what white-haired gentlemen

separated once and for all

and said

this is the subject

and this is the object

we fall asleep
with one hand under our head

and with the other in a mound of planets

our feet abandon us

and taste the earth

with their tiny roots

which next morning

we tear out painfully

Zbigniew Herbert

photo:  Peter Bowers